2019, GUTE GRÜNDE NANNE MEYER, designed by Daniel Wiesmann with Eva-Maria Offermann, edited by V. Adolphs and N. v. Velsen, published by Hatje Cantz. 240 × 315 mm, 352 pages, stiched binding, hardcover, font Akzidenz Grotesk Pro Light.

2019, GUTE GRÜNDE NANNE MEYER, designed by Daniel Wiesmann with Eva-Maria Offermann, edited by V. Adolphs and N. v. Velsen, published by Hatje Cantz. 240 × 315 mm, 352 pages, stiched binding, hardcover, font Akzidenz Grotesk Pro Light.

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projects

Festival school fundamental#designdialogue #festival #space #architecture

The art of joining#designresearchexhibition #teamwork #globalmodernism #architecture

Undefined is not an object#automateddesign #visualidentity #howtodesigntogether

New organ#editing #photobook #music

Festival new organ#visualidentity #typographicsystems #music #festival

Freedom super highly charged#posterseries #urbanspace #housingberlin

Flyers fluctuating images#flyer #dinformats #typography #mediaart

Wind above Alboran 2016-08-05#score #performance #notationssystem

Notes on space in Kassel#exhibition #curating #publicspace

Z i i t a n#mini-poster #performance

Reinklang Unten#flyer #poster #notationssystem #music #party

UTOPIEdocumenta#exhibitiondesign

The audiovisual breakthrough#alphabeticcode #notationssystem #textbook

Remixing the audiovisual breakthrough#poster #alphabeticcode #notationssytem #urbanspace

[DIE SAMMLUNG] a collective structure#archivematerial #system #poster

Weiter geht s weiter#posterseries #howtoproducetogether #performance

Für die Meisterschüler*innen#poster #typography

Black and white posters#posters #blackandwhite

Hearings#appropriation #painting #posterseries

Marabu#digital #analogue #poster #typography

Aufzug oder Treppe. Zukunftsfähige Wege#pictograms #posterseries #climatecrisis

Polyhedral#26letters #videoletter #threedimensionality

Berlin, 2.9.2019